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          Mangler and the Radioactive NunsMooseboy Alfonzo and
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Mooseboy Alfonzo and His Prairie Troubadours proudly present

Duck Mangler and the Radioactive Nuns

Duck Mangler and
                    the Radioactive Nuns
My primary musical output of the 1980's was a collaborative effort with my brother. His talent and my ideas let to a number of recordings, a legend which will last a lunchtime.

The name, of course, was mine. As I've said elsewhere, I love band names that are <someone> and the <somthings>.

He's got the talent (and equipment), I've got the ideas

My brother is a very talented multi-instrumentalist. A natural musician with the maddening gift of being able to pick up just about any instrument and be good at it with little effort. I, on the other hand, am more of an "ideas man": I think "Hey, this would be a good song" and struggle from there to realize it.

So when my brother setup his own home studio in the 1980's, I made regular sojourns to visit him and we'd record. I usually had the germ of one or two songs in mind, we'd record them or anything else that tickled our sick little fantasies, and over a weekend we'd come away with a couple of tracks. Usually, I'd play a part or two, but the musical structure, the programming/sequencing, and overall production was his. We came away with a number of songs of which I'm still pretty proud. This, ladies and gentlemen, is Duck Mangler and the Radioactive Nuns. I'm Duck Mangler, he's Sid Mangler. The album is Moose in a Gallery.

If I Could Find a Moosehead

Our first recording somewhere between 1983-4, this was an improvised number we wrote on the spot. My brother shares my love of all things moose (though not to the extremes I, obviously, have taken them), so this was a natural. It was a way for him to show off his Yamaha MSX-based music computer and me to get used to the studio recording process. As usual, all instruments are him, except for the Kraftwerk-esque bubbly bit and random percussion at the end. And the duck call. We trade singing duties here, he starts the first verse, I take the second, and back-and-forth for the third.

If I Could Find a Moosehead <--Click here to listen

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Sperm Bank ATM (NSFW)

Our biggest "hit", a classic example of my songwriting technique of the time- think of a great song title, then figure out what a song with that title sounds like. In this case, it's sort of an audio play about a machine that has the uncanny ability to make women makes noises like one of The Three Stooges. Can you imagine? That's heavy stuff, man. My musical contribution here is writing the "da-de-du-da" four note motif heard throughout the "transaction processing" portion and the space between the first and second acts of the song.

Sperm Bank ATM <--Click here to listen

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Bradley's Ramada

The first of our "it's all the same" numbers, the title comes from our mutual friend and guitarist, Ron Bradley (see The Pretzel Sisters, The Tim Tew Four, and The Gestapo) and what a typical night would be in the lounge of a Ramada Inn if he owned one. For years after, I would introduce Ron to people and they would say "Oh! Ron Bradley, Ron Bradley, Ron Bradley!) We trade vocals on this one too, I do the first verse, Sid does the second, and so on. I played bass on this one, more duck call, and random bits. There's a backwards-masked message in this one if you can find it.

Bradley's Ramada <--Click here to listen

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The Elk's Lodge Dungeon Reunion

When sampling became affordable a few years later, we revisited the theme of Bradley's Ramada with this song. This was more personal, though, as the style and songs selected were straight from The Tim Tew Four days. The Elk's Lodge in DeLand, FL in the 1980's was downtown near the post office. The lounge, where we would play, was in the basement. I don't think I ever saw upstairs.

So many nights in that place we nicknamed "The Dungeon". This song was our tribute to that place, the owner of the music store in town and his wife Peg, and our act (which my brother did before me). I'm the guy on vocals and sampling keyboard here. No cats were harmed in the making of this recording.

The Elk's Lodge Dungeon Reunion <--Click here to listen

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Perfect Creature

In 1984-5, Moosemania was at a pitch. Moose De-evolution had bloomed into the life-long obsession it is now (he says, writing this within 4 feet of 23 different moose "things"). With that in mind, I penned this little ditty which tells the story of Moose De-evolution to the tune of a reggae beat. Vocals and the organ part on this one are mine.

Perfect Creature <--Click here to listen

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Ringo

A true precursor to the Instant Classic Opus Series. One visit to my brother's, I decided we should do a cover of Lorne Greene's Ringo. We decided to do it as a reggae number. I insisted Sid sing this one, as he has a voice even lower than Lorne's. I sang backup vocals, did the random percussion, and part of the main "horn" section. I remember we couldn't do a thing for like ten minutes after I did my Clint Eastwood for "we're even, friend", we were laughing so hard. Save the shrimp!

Perfect Creature <--Click here to listen

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Oh Baby, You're Gonna Get Yours (Incredibly NSFW)

One Christmas, we were driving home from seeing our parents. At some point, "Whole Lotta Love" by Led Zeppelin came on the radio. We started discussing the finer points of the lyrics and the question was posited "What does Robert Plant mean when he sings 'Shake for me girl, I wanna be your back door man"? I said it meant "oh baby, you're gonna get yours" and thus the genesis of this song. Another featuring the sampling keyboard, I remember being particularly proud of the sampled spring door stop you hear in the background. This is also the tune that showed me I could sing heavy metal because I'd never tried before.Vocals, samples are my part, Sid is definitely the guy who programmed the Zappa-esque parts.

Perfect Creature <--Click here to listen

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A Rare Bird of Pleasure (NSFW)

This one has an interesting history. In my junior year of high school, I was in Driver's Ed (I skipped Second Grade). We were out in the lot waiting around for our turns driving when this guy whips out a Penthouse magazine. I read this Forum article with the same title as this song, about this guy who's making a chicken dinner for his friends when he gets...stimulated. It goes downhill from there, but it sure seemed like a different idea for a song, so I wrote this. Vocals, chicken, and doubling on the synth horns were my musical contributions.

Perfect Creature <--Click here to listen

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Spunk My J*sm (NSFW - like you couldn't tell from the title)

My brother had the genesis for this one, oddly enough. He'd come up with the first few verses and first chorus and wanted to flesh it out (excuse the term). I naturally agreed, and came up with the rest of the verses/choruses. Probably the only song in history to rhyme Mylanta and Atlanta. We decided to go really lounge-y on this one, but typical of me, I wrote my "scat" singing out in advance (at least a bunch of different phrases which I combined randomly) and Sid played this wooden flute he had laying around. This one's for all you lovers out there, but sadly has a tape dropout during the second chorus.

Spunk My J*sm <--Click here to listen

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Dirty Forks

The idea for this was a guy who sees a girl, desires her, but knows she has no idea he exists. He's just the dishwasher at the restaurant she's at that night. I'm half the synth horn part and main vocals, with Sid coming in the choruses.

Spunk My J*sm <--Click here to listen

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Billy and the Boingers

This was really a collaboration between my brother and the guitarist from his old rock band. Bloom County was a very popular cartoon, and Bill the Cat was at one time leader of the band Billy and the Boingers. The strip had a contest around 1986-7 to write the band's theme song. I was brought in as vocalist because, oddly enough, the other thing I sing "well" besides lounge music is heavy metal. So vocal stylings are my only real contribution here, I didn't write any of it.

Spunk My J*sm <--Click here to listen

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Tom Petty and Bob Dylan Sing 'Stepping Stone'

One random day, Sid and I were hanging out with duckmauler when someone (possibly me) commented about the tour Petty and Dylan were on at the time and how that was sure to be a festival of no-tongue bastiches. This ensued soonafter.

Spunk My J*sm <--Click here to listen

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